Scottie Drippin
Should Never Mention Me
This. If you think the UK ones are bad though, the LA and NYC ones are HORRENDOUS. We're talking the absolute epitome of new to the scene hipsters swaying awkwardly back and forth or just standing around. I posted a clip from a Miami one from October that wasn't bad, but that's because it was literally a house party of long-time friends that BR did a set in.Sorry breh, didn't realise you @'d me until now.
The boiler room crowd is the worst in existence. It's not even a legit club crowd, in the sense of them allowing people to just buy a ticket to go to a boiler room show. The crowd would actually be great if that was the case. Instead however, you basically have to know someone connected to boiler room or be in the london music/streetwear/fashion 'in-crowd' to get into the shows. You get in if your names on the list, if not, fucc off that's the only part about boiler room where they dropped the ball because you end up getting crowds like for example, every grime boiler room where 80% of the crowd doesn't know one riddim except for eskimo, i luv u or morgue. Just a bunch of cool kid hipster fuccbwoys. It made snese in the early days though cos they literally would just do the show in someones yard but now they're big enough to open the sh1t to the general public.
But yeah, they need to change their model. They do a lot of them on the fly though (last minute venue changes and shyt), so they can't really sell tickets in a formal sense, but they should make it open to the public to end the terrible crowds.
Most of the deep house, tech house, and minimal BR's are just drags. People just standing, DJ's just trying to get through it.
I've seen some in the UK where the crowd was right though. The Disclosure/Skream set, the Bok Bok/L-Vis 1990.