Who coppin?
KanyeSpot - 9/10
Jim F'n Sterling Son - 8/10 great
Eurogamer - recommended
Twinfinite - 5/5
All in all, SOMA is a fantastic game. From the detailed world in which it takes place, the engaging plot, and the perfect amount of creeping terror and suspense, there’s a lot to love if you’re into horror. Speaking as someone who hasn’t delved as much into the genre, I still found myself fascinated and not wanting to pull away.
Rely on Horror - 9.5/10
SOMA is Frictional Games’ best work yet and a tour de force in the survival horror genre. It subjects players to finely crafted sensory and narrative horrors, with an effectively unsettling story and polished design. SOMA may not be a revolutionary title within the genre, but its pacing and how it frames its terrors is masterclass. It’s far more narrative driven than the studio’s past work as well; a compelling cast of characters and philosophical story makes SOMA more than just a series of good scares. The studio has nearly a decade of experience crafting horror and it shows. It’s a damn fine example of what the survival horror genre can accomplish
ZTGD - 9.5/10
It’s not very often that a game comes along and makes you think long and hard afterward while hitting you in the face with emotion, but here I am. Soma is both an extremely beautiful and terrifying experience. While I still think Amnesia takes the cake for scare factor, everything else in Soma is done better here Story, visuals, and the soundtrack are superb and top tier from Frictional at this point. One of the best sci-fi stories I’ve every experience in a videogame and one that can get under your skin.
Destructoid - 9/10
SOMA gets everything right about the the survival horror genre. It’s like someone created the perfect video game mixtape -- a little bit of abandoned underwater atmosphere from BioShock, detailed environments a la Gone Home, and (of course) the frenzied monster mechanics from Amnesia. Even if you dislike non-combat-oriented games, I dare you to give it a try
Gamespot - 9/10
I came in expecting something similar to Amnesia, just in a terrifying new location, but what I found is an intelligent game that forced me to think and contemplate ideas as only the best sci-fi is capable of doing. It may not stir the hordes of wailing YouTubers looking for the next best haunted house, but SOMA succeeds at crafting something much more meaningful in a genre that’s deserving of more than just simple jump scares.
The Sixth Axis - 9/10
I’ve never played a game that’s affected me as much as SOMA, and to be honest I’m not sure I want to ever again, although I’m very glad I did. It has the DNA of movies like Alien, 2001, Sunlight, and Event Horizon, with a splash of the original Dead Space and Bioshock, but brings plenty of new ideas to the table. It makes you think about what it means to be alive, and indeed how you classify life, and is a brilliant example of just how far video games have evolved.
God is a Geek - 8.5
When it comes to horror, Frictional are your fellas. While they might have had a bit of a shaky response to A Machine for Pigs, they’ve found their way back and then some with SOMA. Despite being knocked slightly by some frame rate issues, a fascinating story forms the basis for its success with the scares taking more of a backseat this time around. Don’t get me wrong however, it is still intense, terrifying and quintessentially Frictional. Set in a spectacularly immersive setting and supported by masterful sound design, SOMA is solid evidence that the Swedes are still in total control when it comes to horror.
IGN - 8.1/10
SOMA is a sustained exploration of an original and thought-provoking idea. The concept of artificial intelligence has been explored by lots of science fiction, so it isn’t unique in that regard, but it makes particularly intelligent use of video game conventions to present those familiar ideas in new and surprising ways. At 12 hours long, the story feels a little stretched, especially when so much of its gameplay feels less original than its ideas. That’s not to say it’s scares aren’t effective or intense but I found myself drawn to its quiet moments in which its philosophical yet unpretentious storytelling is allowed to breathe without interference from unintuitive puzzles and monsters that can’t be manipulated.
The Jimquisition - 8/10
Intentional or not, SOMA regardless provides that example. This is not just another horror game. It’s a science fiction story with horrific shades, a game that ponders the human condition in an industry where “the human condition” has become an awkward dead horse of a phrase. A horror game that, curiously, would have benefited from a little less horror.
Simply put – there needs to be more games like this in the world.
Pushsquare - 8/10
SOMA's an interesting release that succeeds and stumbles in areas that we didn't expect it to. Indeed, given the developer's track record, we'd anticipated a terrifying title – but while it has its eerie moments, it's a bit of a disappointment as a horror game. Where it's more successful is in its ability to depict the moral challenges of AI, and this subject matter results in some of the tougher decisions that we've seen in a game for a while. The plot is compelling, the presentation is generally very good, and the conclusion is outstanding. But all of these achievements will be tempered if you're looking for the kind of scares that defined Amnesia: The Dark Descent.
Gamesradar - 3.5/5
A disturbingly different take on interesting sci-fi concepts let down by a slow start and disappointing monsters, but worth it overall.
Kotaku - YES
Though jump scares are fun in the moment, they don’t last. The best horror sticks with you long after the credits roll, an uneasy feeling that lingers uncomfortably in the moments before you fall asleep. I’ve been thinking about what happened in SOMA for days now, especially the game’s closing minutes, and can’t let it go. Just thinking about it makes me sick to my stomach. If that’s not a sign of success, I’m not sure what is.
Eurogamer - Recommended
That Frictional has been able to take such an over-used concept as exploring an abandoned research base, populated by bloody corpses and monsters, and turn it into a sombre philosophical adventure that is also exciting and even funny, is quite the achievement. It may not move the genre forwards much in terms of mechanics, but it spins a story you'll be glad to have experienced.
Gamersyde - N/A
After Amensia: The Dark Descent, Frictional Games are back with some serious arguments which will automatically appeal to science-fiction and horror fans alike. Thanks to a good sense of storytelling and a very atmospheric world, the Swedish developers have bested their previous game with quite a memorable title. By putting the player under constant pressure instead of conveying visceral fear (though the more sensitive ones should be terrified alright), SOMA may interest a wider audience than Amnesia, but it still remains a game for the brave. Although the emphasis on story is important, it doesn't mean gameplay mechanics are reduced to their minimum, quite the contrary. Those not particularly receptive to the "walking simulator genre" can rest assured that SOMA is not one of those games. In the end, we can vouch for Frictional Games' new creation and strongly advise you to give it a go as soon as tomorrow.
PC World - N/A
SOMA is not the horror game I expected out of Frictional, but I don’t care and it doesn’t matter. This is an excellent work of science fiction, not necessarily unique but uniquely told through its skillful use of video game conceits. It’s System Shock 2 for a modern sensibility, BioShock freed of its AAA chains. It’s damn good and, for my money, the most cohesive and ambitious game Frictional’s made so far.
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Wish I wasn't so bytchmade when it comes to horror games.
glad it's on your radar now that it got great reviews