Netflix just signed the GOAT movie director?

goatmane

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Steven Spielberg signed a major deal with Netflix. He once said the streaming platform’s films, which will now include his own, should not be eligible for Oscars.

Spielberg’s Amblin inks multiyear feature film deal with Netflix
Devin Coldewey@techcrunch / 1:45 PM EDT•June 21, 2021
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Image Credits: Krisztian Bocsi / Bloomberg / Getty Images
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In something of an about-face, Amblin Partners, Steven Spielberg’s long-running film production company, will produce several films per year for Netflix. The deal reflects Netflix’s rising star and arguably acceptance by the legendary director of a new order to the cinematic world where home viewing is a first-class citizen.

The deal was announced in a press release with few details except glowing quotes from Amblin and Netflix executives. All that is certain is that Amblin will produce “multiple new feature films per year” for Netflix.

“From the minute Ted [Sarandos, Netflix co-CEO and chief content officer] and I started discussing a partnership, it was abundantly clear that we had an amazing opportunity to tell new stories together and reach audiences in new ways,” said Spielberg in the release.

Those new ways didn’t sound so amazing to Spielberg a couple years ago when he was reportedly pushing to exclude Netflix films from the Academy Awards.

“Once you commit to a television format, you’re a TV movie,” Spielberg told ITV in March of 2019. “I don’t believe films that are just given token qualifications in a couple of theaters for less than a week should qualify for the Academy Award nomination.”

Ultimately no real push was made, though. Whether Spielberg was misrepresented, changed his mind or just read the room, he has since tempered his position. He has said rather that he simply wants to cherish and protect “the theatrical experience” — understandable from one of the pioneers of the modern blockbuster.

Naturally it’s a huge get for Netflix, which will get a steady stream of Amblin features, though there’s no guarantee of a Spielberg picture. Meanwhile Amblin will continue its longtime partnership with Universal, which fills the more traditional moviemaking and distribution side of things. The company has already broken bread with streaming companies, with shows and films made for and distributed by Netflix and others, but this is most significant partnership so far.

Perhaps it was COVID that suggested to Spielberg and Amblin that streaming platforms are, far from going away, simply the future of the industry in many ways. In a world where the “theatrical experience” is a potential superspreader event and people are perfectly happy to watch (and pay for) a “premiere” at home, it may be better to roll with the punches and hope that things bounce back.
 
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It's hard for me to figure out Spielberg as a director.

He's got a lot of good movies. Movies that you can watch over and over. But I wouldn't call many of them actual masterpieces.

Obviously Schindler's List stands out as a true masterpiece. Possibly Lincoln -- but was that because of Spielberg? Or because Daniel Day-Lewis carried it?
I'll give him Jaws. Maybe the 1st Indiana Jones movie (Raiders of the Lost Ark)

Saving Private Ryan had the most amazing opening scene but nobody gives a shyt after that first 10-20 minutes or so.
Everything else is good, or even very good. But not amazing.

In terms of a catalogue, he's hard to beat.
In terms of art and making something extraordinary...I dunno if he's on that Kubrick level.

For the people mentioning Tarantino -- I get it. But at this point let's not act like he isn't predictable. His movies have this template of: great opening scene, interesting movie dialogue, followed by gore and violence that often feels unnecessary as fukk.
Low key I would say Paul Thomas Anderson is one of the more underappreciated directors out there. Possibly Bennett Miller...as his catalogue grows.
 

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It's hard for me to figure out Spielberg as a director.

He's got a lot of good movies. Movies that you can watch over and over. But I wouldn't call many of them actual masterpieces.

Obviously Schindler's List stands out as a true masterpiece. Possibly Lincoln -- but was that because of Spielberg? Or because Daniel Day-Lewis carried it?
I'll give him Jaws. Maybe the 1st Indiana Jones movie (Raiders of the Lost Ark)

Saving Private Ryan had the most amazing opening scene but nobody gives a shyt after that first 10-20 minutes or so.
Everything else is good, or even very good. But not amazing.

In terms of a catalogue, he's hard to beat.
In terms of art and making something extraordinary...I dunno if he's on that Kubrick level.

For the people mentioning Tarantino -- I get it. But at this point let's not act like he isn't predictable. His movies have this template of: great opening scene, interesting movie dialogue, followed by gore and violence that often feels unnecessary as fukk.

Low key I would say Paul Thomas Anderson is one of the more underappreciated directors out there. Possibly Bennett Miller...as his catalogue grows.

Spielberg is the GOAT blockbuster director but that's it


There's a long line of better filmmakers out there

Fellini, Bergman, Kubrick, Coppola, Scorsese, Wong Kar Wai, Haneke, Edward Yang, etc etc
 
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