I’m CONVINCED Nas set 50 up on Office Hours lmao. LISTEN to the way he immediately came in attacking after 50 finished talking his shyt. shyt just was NOT FAIR
Yah will forever remember the KD2/Magic/KD3 run in just a few months. Will always love Hit-Boy for that.Yea bro I'm hurt about this one
but they went 4/4 before this so I'm appreciative, but yea this ain't it.
fukk I feel like throwing my phone at the wall or something... Can I erase this listening experience from my memory and pretend this album never existed??
If somebody told me I'd wake up to One Mic One Gun being the track I'd enjoyed the most on this album, knowing it was one of the weakest amongst 55 Nas/Hit tracks, I wouldn't never believed them... Yet that's exactly how I felt..
They got too confident and dropped some uninspired tired shyt, that's TO ME at the very bottom of Nas' discography. The beats are almost all ass, some playskool cheap ass SoundCloud shyt. But really Nas is even worse, shyt feels like listening to him on Summer on Smash for a full album, uncomfortable and uninspired...
Motion could've been a dope joint but WTF is this chorus? Bokeem is a good track, but nothing groundbreaking either. Ah fukk it, don't even feel like going thru songs... Will never listen to that shyt again
We're like 5 hours away from Nas stans labeling this a classic
Hitboy's production is elevator music. Cheap Casio keyboard sounding shyt. The beat on Lupe's new track shyts on everything on here.
Halfway through this is flames, I'm actually happy I read Y'all shyts first because I was expecting way worse from 50 - I fukked with it.
@Ziggiy how many times we gotta tell them to trust Hit.
Wheher yall like these albums or not, NONE of them sound alike.
You got KD2 over 3? That’s crazy KD3 is stellar start to finish, KD2 had that wack ass Eminem verse and KDTV joint.KD2 is my absolute FAVORITE of the run. I didn’t put KD3 above it and i don’t know yet if I can put Magic 2 above it.
But Magic 2 might be the most AMBITIOUS Nas album ever, and thats saying something. The flows, the production choices, the creativity. I fukking LOVE experimental Nas. I also the pure unadulterated confidence Hit Boy and Nas inspire within each other. I thought Magic 1 was the pinnacle of modern day Nas aggression but on here he almost ALMOST takes it to Stillmatic levels with the aggression and just not giving a fukk. I think what separates this from Stillmatic is on Stillmatic Nas was truly angry and looking to take nikkas heads off. Here Nas’s only competition is himself
We're like 5 hours away from Nas stans labeling this a classic
Hitboy's production is elevator music. Cheap Casio keyboard sounding shyt. The beat on Lupe's new track shyts on everything on here.
I’ll give you Nobody, Composure, Store Run, Rare (beat switch part)
Death Row East & 40 Side were ok by Nas standards, nothing to write home about. The Pressure was insane sonically, but again lyrically, flow, and energy wise very pedestrian by Nas standards
He free flowed quite a bit on Magic as well, but he also blacked out on more tracks. I respect if you find Magic overrated tho
But KD3 clearly is Nas lyrically not fukking around at all
That terrible feature hurts the song... worst feature of the whole KD series. I don't know how that's a plus.I’m CONVINCED Nas set 50 up on Office Hours lmao. LISTEN to the way he immediately came in attacking after 50 finished talking his shyt. shyt just was NOT FAIR
You got KD2 over 3? That’s crazy KD3 is stellar start to finish, KD2 had that wack ass Eminem verse and KDTV joint.
I got KD3 is 5 mic to me.
What?, Della Humphrey and Marvin Gaye samples ain’t cheap Casio shyt.
It feels like they got too comfortable...Yah will forever remember the KD2/Magic/KD3 run in just a few months. Will always love Hit-Boy for that.
But I wonder what kinda yes-men coulda listen to this in the studio and tell them with a straight face "yeah this is a good sequel to Magic bro"