GPBear

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Particularly Schoenberg and Stockhausen.

Pretty white thread, but I think it's good to expand horizons, and considering there's a thread called "Ever made a beat while watching PORN" I think so heady, high-minded bullshyt will even it out...

Anyways, if you make a write a song, a beat, whatever, usually there's a "root" note, and using a traditional progression, a couple more notes build off of the root. For example, you play a song on the guitar and it goes 'C-F-G'. The root note and progression you use determine which key you're playing in.

But what if you used every note in the scale equally. Then there is no key, it's atonal. :mindblown:
And that was Schoenberg's idea (he called it pantonal).

Stockhausen was influential in being one of the first composers to use electronics in his music accessed from scientific innovations made for WWII radio frequencies/radar. Things that we use today like modulators or what have you.
 

DJ Mart-Kos

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I always keep my notes within the scale but i do sometimes use 8 notes in a scale.

I usually start with a few chords and than make a scale with 7 or 8 notes that are used in those chords.
and than adjust the notes from the chords if they don't match in my scale.
to make the rest of my song.

I really don't have any musical theory knowledge though.
 

ibrokemyneck

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well.. there's so many cases to use roots and scales tho. you can consider it different modes i suppose too. :ehh:
 

mortuus est

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yeahhhh i know nothing about scales and stufff, pretty much just do things based on sound, if that string sound connects and sounds good with this black key string then im good
 

Poh SIti Dawn

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GPBear

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I think we all start out banging keys and messing with buttons, but at some point you have to learn.

Knowledge, wisdom, understanding, culture/freedom.
As they used to say. Maybe I'm the only one who took Brand Nubian and the Native Tongues seriously.
 

Poh SIti Dawn

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Never listened to brand nubians or native tongues (iont think).
 
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