Look At Organized Konfusion's 'Stress: The Extinction Agenda'

IronFist

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On August 16, 1994, Organized Konfusion – the duo of Simply II Positive MCs Pharaohe Monch and Prince Po – released their sophomore album Stress: The Extinction Agenda to critical acclaim. Four years removed from their self-tilted debut, Stress would go on to define who Organized Konfusion was as a collective. In contrast to their debut, Stress was much more bound to the streets of New York, and more specifically, South Jamaica, Queens.

The album chipped away at the many issues that sprang up in the mid 90s and seemed to spiral out of control. Pressing matters like gun violence became the catalyst for conceptual songs like "Stray Bullet." Sound wise, the album was a well organized (no pun) amalgamation of hard rock, jazz and gospel.

Stress exemplified what it meant to have an entirely cohesive album that knew no boundaries. Twenty years later, it has permanently woven itself into the fabric of Hip-Hop history - a certified classic.

To celebrate twenty years of Stress, I reached out to Pharoahe Monch and Prince Po, as well as a few other legends (who had a hand in creating the classic album) on the phone, including Buckwild, Large Professor, O.C., artist Matt Doo's brother Garnet Reid and DJ Premier.



• ON SELECTING OUTSIDE PRODUCERS:

"[Compared to our debut] we wanted to grow and expand. We had an ear for what we were looking for. These guys [producers on Stress] were in our circle. O.C. had branched out into D.I.T.C. and Lord Finesse had already been touring with Big L and Showbiz & A.G. There was just a lot of love.

Buckwild came through with that "Stress" song and I was like "This is what we are! This is who Organized Konfusion is! This is the colors, this is the attitude." It's hard, it's apocalyptic and weird. Not weird in a bad way, but just hardcore. So we jumped on that and was like we need to show the other sides of this group as well.

On [Organized Konfusion] - we jumped into the production thing because we had some dope shyt that we wanted to do too. We were kind of thrusted into doing as much as we did on the first album because Paul C had been murdered."

• FAVORITE SONG OFF THE ALBUM?

"Aww man! Whooo! That's tough. I'm probably gonna have to go with 'The Extinction Agenda' if we're talking lyrics. Production wise, probably 'Stress.'"

• ON THE ALBUM ARTWORK AND ARTIST MATT DOO:

"Matt was an artist doing work for print magazines at the time. He did work for Company Flow and was working with other Rawkus artists. He approached me; he was a huge fan and was from Queens. He was like this big character who spoke with his hands. Boisterous. Very passionate about Hip-Hop conversations. You could tell the wheels were always spinning in his head all the time. I probably never met a more passionate person about Hip-Hop and Hip-Hop culture. We would talk for hours about Rakim & KRS-One.

When I started letting him hear new music from Stress, he was like "You have to let me do this cover! You guys haven't been represented properly." I was like "Let's do it!" He asked for photographs of us, props, all types of shyt. He would just be like "Yo! You're walking through the ghetto and there's lava and there's magma and the projects are burning." I was like "Alright, just let me see it."

I went over to his crib and he revealed the cover to me and I was like "Oh shyt!" It was an actual 24x36 painting. This dude was genius. And I mean that in every sense of the word. It wasn't some shyt that he drew. His brother Garnet still has that original painting."

• WHAT INFLUENCED THE CREATION OF THE ALBUM?

"I'd say comic books. Definitely Marvel. Also whatever films were out at the time, but the influence [in comics] was more imaginative than what they were doing in films. And then the streets - our environment in South Jamaica, Queens."
 

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• WHAT MUSICAL INFLUENCES FACTORED IN?

"Jazz, gospel, rock music. We were listening to a lot of Black Sabbath and Led Zeppelin. Monch had older siblings and so did I, and being around them, you got exposed to a lot of things. I could go from listening to a Depeche Mode record or Black Sabbath record to a Rakim joint. The Police's Synchronicity album is probably like one of my favorites. We were just very versatile when it came to music."

• WHAT INSPIRED THE SONG "MAINTAIN"?

"One of the influences on our music was Monch's parents. Monch's Pops had passed away and it was a very hard time we were going through. That event was a great influence on that record. [Monch's Pops] always encouraged us to go after our dreams and follow what we believed in. We wanted to make a song like that cause we figured people were going through different things all over the world. We wanted to make a song that gave people inspiration and a promise for tomorrow - to let them know we're going through things too."

• ON "STRAY BULLET":

"You know, the crime that we grew up around and the situations we had to live through; there was a lot of things going on in our environment. A lot of killings, a lot of unfortunate situations. We wanted to sort of paint a picture of promise. 'Stray Bullet' was a song that we could relate to, because we wanted people to have a little bit more responsibility in their actions - and to hopefully lower the crime rate by giving people a second chance to think. You know, we have two ears and one mouth for a great reason. We wanted people to realize the responsibility behind a gun and realize that [a bullet] has no name on it."



stress-garnet-reid
"Pharaohe Monch recently reminded me of how important my brother Matt was to this project. He reminded me of how my brother would walk for miles across town to meet up. They’d talk for hours on the phone about the ups & downs in the music industry, as well as record label politics. They were driven; determined to complete this project.

The artwork and music were made together. The moment you purchased this album, the illustration prepared you for what you were about to hear. There was never enough canvas for Matt. He always needed more room. Organized Konsfusion's Stress album is a classic Hip-Hop masterpiece from beginning to end; we are still talking about it twenty years later. In the words of my brother Matt Reid (a.k.a. Matt Doo) 'Everything Is Dooable.'"

stress-sage

"Wow! It’s been twenty years already. Man how time flies. Recording this album was amazing, sitting in on all the studio sessions. Watching those two go back and forth on ideas, and trying to come with the best lyrics for the beat. You just had to be there to understand where I’m coming from. The proof is in the lyrics; if you don’t have it you better go out and get it. The first time I heard the song 'Extinction Agenda,' I lost it. Like really lost it. At that time there was a lot of music out, but nothing like this. To me, this album should be engraved as an old time classic."
 

DredScott

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i read this awhile back, really informativie.

i love background stories like this on albums. i'd love to hear one for The Equinox, even though Monch and Po prolly don't really want to talk about that album much since it was the beginning of the end for them.
 

valet

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Anybody know why this not on streaming? Stray Bullet popped on my mind today but I had to go youtube. Lastly I never noticed Kool G influence in Pharoah style on that song
 

Hawaiian Punch

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Anybody know why this not on streaming? Stray Bullet popped on my mind today but I had to go youtube. Lastly I never noticed Kool G influence in Pharoah style on that song


Label bullshyt.

Makes me sad tho because this album is straight up art. Just cohesive conceptually and sonically. It’s feels like putting on a great movie and shyt.


 

DredScott

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No one ever talks about this but there's an original version of "Let's Organize" with a different beat that they changed at the last minute.

Does anybody have that version?
 
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