Homecoming Is Must-See Mystery-Box TV
There are moments in
Homecoming that are positively Hitchcockian, particularly with regard to Esmail’s choice of imagery. In episode three, there’s a vertical shot of Carrasco descending a flight of stairs that’s deliberately evocative of
Vertigo. In a later episode, Esmail deploys a Hitchcock zoom so glorious it deserves an Oscar, even though, yes, I know, Oscars are not given to TV shows. Elements like that and a score that sometimes literally borrows from older films — like Alan J. Pakula’s
Klute and Brian De Palma’s
Dressed to Kill — infuse
Homecoming with a classic conspiracy theory thriller spirit that makes it feel a bit old-school and thoroughly contemporary all at once.
@HHR @hex