spliz
SplizThaDon
Nah, I just need you to stop following me to every thread I'm in. It's weird AF.
I don’t even know who you are, bro. I can't give you the attention you're thirsty for.

Nah, I just need you to stop following me to every thread I'm in. It's weird AF.
I don’t even know who you are, bro. I can't give you the attention you're thirsty for.
Music production is in it's own world than mixing/mastering. I would say FL is the top dog especially for midi composition. As for sampling go use AbletonNah, it's not.
It's still the remedial DAW for beginners and wack bedroom producers. If you want to actually learn about production and/or mixing, it's best to stick to DAW's like Logic and Pro Tools. MPC and Ableton too. FL's workflow is all about making it easier, but without the user developing more skill and knowledge. That's not gonna work if you ever have to hit a real studio to work or have an artist that needs a lot of adjustments to the production.
Not true at all, manNah, it's not.
It's still the remedial DAW for beginners and wack bedroom producers. If you want to actually learn about production and/or mixing, it's best to stick to DAW's like Logic and Pro Tools. MPC and Ableton too. FL's workflow is all about making it easier, but without the user developing more skill and knowledge. That's not gonna work if you ever have to hit a real studio to work or have an artist that needs a lot of adjustments to the production.
Every beat I made until 4 months ago was in FL Studio and mad people have guessed that I was using an MPC3000 or SP1200 beforeU literally have no idea what ur talking about and I say this with utmost seriousness. U sound like a nikka who never made beats before. I can show u production from FL Studio that u would NEVER guess. All of these DAWs have their strengths and weaknesses. For instance Pro Tools is industry standard for recording but Cubase been better than that shyt for years.
There's nothing in FL Studio that prevents you from learning about the process. I was able to transition to an MPC seamlessly off the strength of everything I learned fukking with FL for yearsI explained it.
I don’t want it to be easy for me. I actually love the process of learning. So when I've f*cked with FL, I didn't like it. For the same reasons other people mentioned on here. I also see a lot of people who use it, not knowing a lot about production, when they come into the studio. That makes everybody else's job harder.
But it's not just about making beats. We started this talk on mixing, recording, etc. The learning aspect is what I'm speaking about though. So I'll ask another producer what equipment and techniques he used to make certain classic songs, and we'll speak about the process. That's the fun part for me. If I don’t have that piece of equipment, I might cop it, just to learn how to use that sh*t. I'm doing it now with the SP because someone told me I should cop another one and master it. So I picked up a used one a couple years ago from Armen's here in NYC. The fun part is the learning. I don’t want anything to come easily with music. Only the checks, lol. The creative process for me, is the learning. And I've been doing this since I was 15-16, but I don’t ever want to stop learning new sh*t.
Music production is in it's own world than mixing/mastering. I would say FL is the top dog especially for midi composition. As for sampling go use Ableton
There's nothing in FL Studio that prevents you from learning about the process. I was able to transition to an MPC seamlessly off the strength of everything I learned fukking with FL for years
Why do think it's a flex? I'm just literally telling you I've worked with both analog and digital.
I got an ASR 10 sitting in the corner of this room gathering dust and a 20-30 lb box of floppy disks full of sounds. I replaced it with an FL Key 61 midi controller. Best upgrade EVER! I ain't got to wait 1 minute for the OS to load and the other buttons actually do shyt in the box.
7? The new one is 4. That's crazyThere's a spot here in NYC, that has a good 10-15 used SP's.
They run around $7K now, but if you can, definitely cop one. As much as I love learning on it and trying to recreate sh*t I did on the MPC, it's very different and hard as a MF to do on the SP. But the feel and sound of the SP is really on some other sh*t. Going from the MPC to practicing on the SP is basically like you never made a beat in your life, but it's mad fun.
7? The new one is 4. That's crazy![]()
100FL is better for production. Pro Tools is better for recording. It depends on ur aim.
He's gotta be hoping people have no idea about the reissues.Yeah, he has the OG ones in there. The grey joints from back in the day.
He's a repair shop too. So he cleans them and makes sure they're all good before you cop. Dude basically has all the vintage gear from way back, but he buys too. So if you wanted to cop something, you can sell whatever, and use that as credit to get something else. I've been going there for years because you get a chance to actually see what you're getting in person before you spend. It's really dope.
Yeah, Avid f*cked up with the monthly subscription thing for Pro Tools.
Back in the day, it was a one shot cost, so once you copped it, you didn't need to spend any more money. They want to keep getting money now, so they're making people spend monthly for something that they don’t even own. It's wack. But if you're recording at home and making your own beats in a DAW and want to have basically the same tools, I always say Logic Pro is really good for that.
A lot of studios and engineers are working in Logic too now, so if you wanted to send your work out for mixing and mastering, you could get a lot of work done and not have to worry about being charged monthly.