Exclusive: Daniel Day-Lewis Opens Up About Giving Up Acting After Phantom Thread

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Breh had a breakdown :wow:.

Day-Lewis has not seen Phantom Thread. He has viewed many of his other films, but has no plans to see this one.

This is real - Day-Lewis paused. I wondered why a man who is widely acknowledged as the greatest actor of his generation, who has won three Academy Awards for best actor and is magical onscreen, would want to walk away from his profession. “I haven’t figured it out,” he said. “But it’s settled on me, and it’s just there. Not wanting to see the film is connected to the decision I’ve made to stop working as an actor. But it’s not why the sadness came to stay. That happened during the telling of the story, and I don’t really know why.” He paused again. “One of my sons is interested in musical composition, so I showed him the film Tous Les Matins du Monde, about the French composer Sainte-Colombe. My son was deeply struck by the sobriety that it took to create that work, Sainte-Colombe’s refusal to accept less than what was extraordinary from himself or anyone else. I dread to use the overused word ‘artist,’ but there’s something of the responsibility of the artist that hung over me. I need to believe in the value of what I’m doing. The work can seem vital. Irresistible, even. And if an audience believes it, that should be good enough for me. But, lately, it isn’t.”
 
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Breh had a breakdown :wow:.

Day-Lewis has not seen Phantom Thread. He has viewed many of his other films, but has no plans to see this one.

This is real - Day-Lewis paused. I wondered why a man who is widely acknowledged as the greatest actor of his generation, who has won three Academy Awards for best actor and is magical onscreen, would want to walk away from his profession. “I haven’t figured it out,” he said. “But it’s settled on me, and it’s just there. Not wanting to see the film is connected to the decision I’ve made to stop working as an actor. But it’s not why the sadness came to stay. That happened during the telling of the story, and I don’t really know why.” He paused again. “One of my sons is interested in musical composition, so I showed him the film Tous Les Matins du Monde, about the French composer Sainte-Colombe. My son was deeply struck by the sobriety that it took to create that work, Sainte-Colombe’s refusal to accept less than what was extraordinary from himself or anyone else. I dread to use the overused word ‘artist,’ but there’s something of the responsibility of the artist that hung over me. I need to believe in the value of what I’m doing. The work can seem vital. Irresistible, even. And if an audience believes it, that should be good enough for me. But, lately, it isn’t.”

Yeah, seems like it. I hope bruh can find his inner peace and happiness.
 
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