Ol’Otis
The Picasso of the Ghetto
damn i'm getting old i was 8 when this shyt came out 
my next door played this shyt all the time in her Honda Civic
Cool Relax is the second studio album by Jon B. It was released by Tracey Edmonds' label Yab Yum Records and distributed by Epic Records subsidiary 550 Music on September 16, 1997. The album was the follow-up to his 1995 debut Bonafide. Jon assumed the role of having more creative control on his second album. On his debut, he was given leeway to write and produce, but Edmonds and her then-husband Babyface were heavily involved in the making of Bonafide.Jon was confident in the material for his new album, but fought with Edmonds and Babyface over certain songs to keep on the project.
Aside from his work, Jon sought outside production from Tim & Bob, Johnny J, David Foster and Ali Shaheed Muhammad of A Tribe Called Quest, among others. The song that became the first single "Don't Say", was written by former Boyz II Men and Az Yet member Marc Nelson. Jon overheard Nelson playing the song in the record company's parking lot and asked to record it for his album.
my next door played this shyt all the time in her Honda Civic
Cool Relax is the second studio album by Jon B. It was released by Tracey Edmonds' label Yab Yum Records and distributed by Epic Records subsidiary 550 Music on September 16, 1997. The album was the follow-up to his 1995 debut Bonafide. Jon assumed the role of having more creative control on his second album. On his debut, he was given leeway to write and produce, but Edmonds and her then-husband Babyface were heavily involved in the making of Bonafide.Jon was confident in the material for his new album, but fought with Edmonds and Babyface over certain songs to keep on the project.
Aside from his work, Jon sought outside production from Tim & Bob, Johnny J, David Foster and Ali Shaheed Muhammad of A Tribe Called Quest, among others. The song that became the first single "Don't Say", was written by former Boyz II Men and Az Yet member Marc Nelson. Jon overheard Nelson playing the song in the record company's parking lot and asked to record it for his album.
