TheGodling
Los Ingobernables de Sala de Cine
Shot in a single take, the movie starts with Victoria, a Spanish girl clubbing in Berlin, meeting up and joining four local Berlin friends as they hit the town. Their wild night of partying takes a dramatic turn when a local crime boss calls in a favor owed by one of the friends to commit a bank robbery.
The film is shot in one single long take by Sturla Brandth Grøvlen from about 4:30 to 7:00 in the Kreuzberg and Mitte neighborhoods. Director Sebastian Schipper completed the filming in three attempts. The script consisted of twelve pages, with most of the dialogue being improvised.
Just saw this and I gotta pay homage and quote @Nature Boy Ric Flair on this one because it's
WOOOOOOOOOOOOOOO!!!!! status, brehs!
Seriously, words can't describe how fukking good the movie is. How about the fact that the movie actually takes it time build and decides to really blow your mind until about an hour in. Like at first you get how they could've done this in a single take but then the lead actress stands upright on the back of a bicycle as they ride through the street and you're kinda like 'Okay, that's kinda a cool risky could-go-wrong-easily scene' but then five to ten minutes later she's playing piano in a scene almost as intense as the ending performance in Whiplash and you really start to fathom what's happening here and that's before the actual heist/robbery part of the plot is even introduced, and needless to say that's where things get truly insane.
Sure, in some spots it's kinda rough around the edges where you can tell the actors are improvising dialogue or making tiny mistakes like stumbling over words but the swag of the lead actor (a German mixture of Tom Hardy and a young Jeff Bridges) is so effortless that you don't even mind it, plus it adds to the realistic feel of the movie. The real star though is undoubtedly lead actress Laia Costa who really, really, nails every bit of the movie, and she's pretty much on-screen for the full 138 minute running time.
So yeah, the most technically impressive cinematic achievement of the year 2015 might already be here, and unlike last year's Birdman this one actually works as a convincing and hard-hitting drama too. If you want your top 10 for this year to be taken seriously, this is one of the movies that has to be on it.