Pitchfork has no business with hip hopGlad Kweli did this. The type of shyt they got wrong makes every review of theirs suspect
To drive home how little he knows about what he is actually listening to, Mosi then writes that 9th doesn’t “experiment enough with his beats” as if 9th did every beat on this project, or he was supposed to have. He credits 9th for his work on “Technicolor Easels” and “Understand,” but never mentions that it’s not 9th but Khrysis who did those beats. If the reviewer can’t even be bothered to find out who did what beats, again, how can this review be taken seriously? Isn’t Pitchfork supposed to be the gold standard when it comes to reviews? But this misinformation is acceptable?
Mosi says that “in spite of its flaws” there are two can’t miss moments on INDIE 500. But even in trying to give us props, he shows just how little he was paying attention to this album that he was “reviewing.” He credits MK Asante with a speech given by 9th Wonder at the beginning of the song Bangers. MK and 9th sound nothing alike. He then credits me with a verse from MK Asante. MK and I sound nothing alike. That’s two mistakes on one song. Do your homework, Mosi!
Source: medium.com
Pitchfork has no business with hip hop
Exactly
this should be better than the actual album.